Headcanon #5: 1directioner

Artemis has known Wally long enough to accept his ’80s dance sessions as the norm. Every once in a while, he’ll just pop a CD in the stereo (because he’s dropped and broken his iPod more times than he can count) and start jamming out to Joan Jett. Y’know, “Bad Reputation” and all that. He likes the idea of a moody, kickass female rockstar. In fact, Joan reminds him of Artemis.

Not that he would ever admit to that.

Artemis will typically walk into the living room somewhere between I don’t give a damn about my bad reputation and you’re living in the past it’s a new generation. Usually, she’ll clear her throat or just walk right behind him, taking the groceries to the kitchen before he blows a speaker. And he ALWAYS blows a speaker.

Wally figures his wife thinks he’s crazy, shrugs his shoulders, and keeps dancing.

But once, just once, he comes home to discover something entirely unheard of. Artemis has popped a CD in the stereo, and it isn’t any Joan Jett classic either.

No, Artemis is listening to One Direction.

She’s standing on the top of the couch, holding a spatula in one hand and a beer in the other. Which is odd, because Artemis doesn’t drink much, and she certainly doesn’t drink cheap Budweisers at 3 o’clock in the afternoon. But she’s jumping up and down, shaking her ass to baby you light up my world like nobody else. And Wally can only stand there in the open doorway and stare. 

Nelson’s having something akin to a heart attack, sitting on the floor and yapping at his mother like she’s turned into the Creature from the Black Lagoon. But she’s paying absolutely no attention, as she spins around in the air, leaps off the couch and onto the armchair, playing air guitar with the spatula.

She starts to “raise the roof,” bumping her hip against the bookshelf and sending a mass collection of magazines tumbling to the floor. She kicks them aside with one foot, as right now I’m looking at you and I can’t believe.

Wally glances over at the kitchen stove, and notices that Artemis is making grilled cheese. Or, she was, until Niall, Zayn, Liam, Harry and Louis infiltrated their home’s speaker system. 

Sneaking past her, as she flips her hair back and forth in a headbang, Wally makes for the stove. The grilled cheese is burned, but the gas fire’s off, so it’s nice and cool by now. He lifts it gingerly, sneaking a grin back at his wife.

Positioning himself in the perfect pitcher’s stance, feet planted, knees bent, Wally winds up. He lifts his leg and everything—a real Roger Clemens.

Then he tosses a gooey grilled cheese sandwich at Artemis’ head.

It hits its target in the middle of so come on you got it wrong and to prove I’m right I put it in a song. Artemis immediately stops dancing, her body suddenly frozen and rigid. A creeping second of horror passes, but Zayn keeps singing as if all’s perfectly normal in the world.

Then Artemis whips around, sees Wally, and her face becomes the physical embodiment of “Ohhhh, crap.”

Wally grins his most winning grin, and does a little tango over to her. She just stands there like a dumbstruck baby deer, ashamed and embarrassed and windswept.

“I like the improv butt-shaking,” he tells her. “No, really. It’s quite sexy.”

“Shut up,” she mutters.

Wally grabs her by the shoulders, and twists her around to face the mirror on the wall.

“Aw, c’mon, have a look.”

The reflection is an absolute mess. Her make-up is smudged, her hair’s in tufts, and there’s cheese gooping down the side of her face. 

Still, Wally kisses her cheek.

“That, babe,” he says, and points to her reflection. “That’s what makes you beautiful.” 

They spend the rest of the night eating overcooked brownies and slow-dancing to the sweet, savory sound of Harry’s voice.

They never speak of this again. 

Headcanon #4: Fireworks

Damian’s relatively new to the whole “4th of July” thing. He doesn’t really get what’s so exciting about a bunch of barbecues and fancy colors in the sky. Colors that could easily be turned into projectile weapons.

So he’s dragged to Stephanie’s lakeside picnic rather reluctantly. In his opinion, crime does not wait for the holidays to pass, and the streets must be teeming with thugs stuffing cocaine in their pockets, cocaine designed to look like firecrackers. The very thought of it makes him grit his teeth.

But Bruce seems calm enough, so he tolerates the dragging. 

The BatKids spend the first few hours grilling hamburgers and listening to Dick sing “God Bless America” in four different languages. Cass corrects him quietly when he pronounces something wrong—things like that bug her to death. 

After Bruce has made his annual awkward “well, kids, it’s been an honor serving another year with you” speech, Stephanie and Jason get out the fireworks. God knows why Stephanie and Jason are in charge of the fireworks, but they are.

Damian stays at the top of the hill with Titus, grumbling to himself about “insipid traditions” and “wasted seconds.” It isn’t until the first firework shoots off that he shuts his trap.

At first, he remains unimpressed. Okay, neat-o, it’s a pretty blue streak in the sky. Woo. Hoo.

Then Jason gets the ball rolling. The second Robin knows a few things about pyrotechnics, and Steph’s reckless enough to try and help him. Before anyone knows what’s going on, neon Bat Signals of fire are striking the atmosphere, purples and blues and reds and sparkling yellows that remind Damian somehow of champagne. Dick runs down to the lake’s shore with a whole set of lit sparklers, and starts juggling them with his eyes closed. Damian snorts, knowing Grayson is being an irresponsible idiot, but he can’t deny the entertainment factor.

He gets a little…well, he gets sorta mesmorized. I mean, it is pretty. Damian hasn’t seen a lot of things like this. Certainly not back in the Middle East. There isn’t a lot of light in Gotham, and there’s even less over there. Seeing something so bright and beautiful and happy almost fills him with…something kind of like…a little bit of…

Hope.

Then Steph lights the meadow on fire and they’re back to Square One. 

Headcanon #3: We’re All Mad Here

Wally comes home most nights as early as he can. He doesn’t like leaving Artemis waiting, especially after what happened a few months ago.

But one night he’s running late. Traffic was bad on the freeway, and the stoplights down Redwood Avenue didn’t help much. So when he pulls into the driveway of his Palo Alto home, he’s hoping Artemis is already in bed.

Instead, he finds the kitchen lights still on. The refrigerator is cracked, he sees, as he gently calls Artemis’ name. He slides his hand along the dirty counter, noticing a puddle of liquid on one side. It’s a very dark red, almost like blood, too red to be Norman’s business or a chemical spill.

Odd.

He pokes his head around the corner wall, and finally finds her.

She’s seated in the living room on the brown couch, her legs folded beneath her. An untouched piece of chocolate cake sits on the coffee table, amongst the various dust-gathering magazines. In her right hand, she’s clutching a glass of red wine in a death grip. Her eyes are glued to the television.

Wally follows her gaze to the plasma screen, and his chest squeezes when he sees what she’s watching.

It’s Alice in Wonderland, the original Disney masterpiece, in remastered high definition. It’s rather gorgeous, Wally has to admit, as if the pictures and characters pop out from the screen. Young Alice, lovely little Alice, is currently creeping her way through that dark and awful forest, where the Cat takes her by surprise.

The Cheshire Cat.

“Artemis,” he begins, but she holds up her left hand to stop him. With her right, she takes an impressive swig of red wine.

“I want to see the rest,” she sputters, after the alcohol has burned her sufficiently.

But he can hear the crack in her voice. He can hear that uneasy tension, that horrific memory bubbling to the surface. He can sense in Artemis’ voice the funeral umbrellas and the goodbye that she never got to give her sister. She isn’t over it. She won’t be over Jade’s death for a long, long time.

Wally stands at the edge of the couch, watching his wife rather than the television screen. He waits for a few minutes. He waits until the Cat and Alice have had their little number, have spoken their speak, have taunted We’re all mad here and grinned that nightmarish grin. It’s when Artemis’ eyes tear up that he cuts it out.

He scoops the remote off of the coffee table and presses “Power.” The TV instantly shuts off, leaving a deafening silence and an abrupt blackness in its place.

The glass of red wine falls from Artemis’ shaking fingers, because she’s started to silently cry again. Wally catches it—he’s still a speedster, retired or not—and places it on the table. Then he lifts her up, carries her bridal style and lets her rest her head against his chest.

“Come on, babe,” he whispers. “We’re going to bed.”

Headcanon #2: Jinora is Stumped

Jinora’s always been known for her avid fascination with books, and her large assortment of knowledge. She doesn’t speak often, but when she does she pops out trivia like it’s second nature. 

The boys in Republic City aren’t really sure what to think of her. She’s only 10 years old, and she doesn’t have the spunk and power that they had hoped from the first Airbending child. In fact, she’s rather normal. Almost a little too normal. Almost boring.

Jinora could not care less. She pays absolutely no attention to the city boys, no matter how hard Pema tries to make her notice them. She keeps her nose stuck firmly in a book, and lets the testosterone-filled pigs go about their smelly business. 

So when General Iroh comes to town, she isn’t expecting a whole lot. Yes, she’s excited—after all, he’s the grandson of the late and great Fire Lord Zuko. He must have some great stories.

But he’s a boy. And boys…boys are stupid.

Therefore, when he walks into the Air Temple in all his ripped-abs glory, she’s a little taken aback. After all, she doesn’t really know what’s happening to her. Why is her heart cinching up in her chest? Why are her eyelashes batting so fervently? Why on Earth does he seem to be sparkling in the noonday sun?

She doesn’t speak a word for the rest of the night.

She does a little research. She tests a few theories, tries a few hypotheses. There are many explanations, but only one truly fits. She hates to admit it. She absolutely despises the truth. But there it is, right in front of her.

She has a crush a mile wide for General Iroh.

Oh, boy.  

Headcanon #1: Artemis’ Showers

Artemis sings in the shower. It’s a quiet, almost raspy side of her voice that Wally doesn’t hear very often.

She’ll only do it when she’s in a lackadaisical mood—perhaps she’s just gotten back from walking Norman, or she’s listening to the sound of Wally burning french toast in the kitchen. (“DAMN it! It can’t possibly be this hard to cook BREAD!”)

Artemis doesn’t know a whole lot of American music—she wasn’t raised by record connoisseurs or 80’s fanboys. Most of what her mother liked was in Vietnamese, anyway. 

So what she does know are tunes that used to echo throughout the halls of Mount Justice, each song carrying a miniature memory like a virus. That’s why Wally will sometimes stop and listen. He doesn’t reminisce much—that’s too tough on his head. It’s easier to turn away from the past than to think too much about it.

But sometimes he will. And that’s usually when he leans against the bathroom door, sighs, and listens to Artemis gently hum “Beautiful Soul.” 

Guys, imagine if they made fandom into a musical.

It would be the most amazing show ever made. It would make you laugh like Spamalot, scream like Rocky Horror, grin like Chicago, cry like Les Miserables, tremble like Phantom of the Opera…everything would just be perfect.

Like, the music too? All the characters would sing. Wally would profess his love to Artemis in a serenade. Dean and Castiel would have a dancing duet, complete with dapper suits and canes. Tony Stark would have an hour-long monologue where he just talked about himself. Lin Bei Fong would fly in on the falling Phantom chandelier. Razer and Batman would have a dark, ultra-bass number which would then be interrupted by Stephanie Brown and an entourage of acrobatic waffles. Dick would chase her off the stage.

IT WOULD BE FABULOUS

I want Zuko to have a daughter.

Just so he can look at her and say:

“The greatest gift in honor is having you for a daughter.” 

lehayed asked: “ and wally cried "OH VAJAYJAY" as he came inside vajayjay's earlobe and it was so sexy because then vajayjay became pregnant inside his earlobe and then the baby got too big and his head exploded and he died and THE END I HOPE YOU PUBLISH THIS ”

OH GOD I LITERALLY FELL OFF MY BED

Dicey, you get tonight’s smut award.

lehayed asked: “ So, what about Clint/Natasha has you so enthralled? (Which reminds me, I still need to go read your Clintasha fic. Oops.) ”

Oh man. That’s a tough question, seriously. I don’t really have any one answer, so I’ll have to go thorough a process.

First of all, I started shipping it as soon as Clint and Natasha had the whole “this is nothing we were ever trained for” scene in the movie. I didn’t know much about them beforehand, and I just thought Nat was kinda sorta cool yeah whatever. But then she looked at him with this complete, almost vulnerable honesty, and I realized she never looked at anyone else like that. And I literally whispered aloud in the theater, “I ship it.”

From that point forward, I just emerged myself in their shipdom. I started looking up fanart and reading fanfic. I started peeking at comics and old TV shows with them, getting little tidbits here and there to empower my adoration for them. I read both of their Wikipedia articles in one restless night, and proceeded to then read the Wikipedia articles about their associates. I don’t know—something about them clawed at me. I wanted to know more.

I loved the idea of Clint deciding not to kill her. Obviously, the whole “red in my ledger” thing is very intriguing, but I thought what was more intriguing was how and why Clint decided to ignore that red. I loved that. I think that says a lot more about their relationship and the way they see each other than anything else. From the very beginning, they had an inner connection. Clint didn’t know Nat—but he knew. He knew he couldn’t and wouldn’t kill her.

I also love their reversed roles. And what I mean is this—Nat is strong, Clint tries to be strong. This isn’t to say Clint isn’t a badass (I think we all know that much), but here’s my point:

If Clint died, Natasha would be hurt. She would be hurt very badly. She’d feel personally responsible, and she’d beat herself up for it. But she’d pick herself up and keep moving. She’d make it become an incentive rather than a drawback—a stimulant rather than a depressant. It would give her mission another purpose. The truth is, she’d be fine without Clint. Broken, sad, but she’d survive it.

In most media, this is the typical “guy” position. Y’know, a relationship ends and he’s fine because he’s the big tough man. But in Clintasha, NAT is the “guy.”

Clint, on the other hand? Natasha’s death would be a huge blow. God knows he wouldn’t give up, but he’d be out for a few weeks. He’d lock himself in a hotel room, wouldn’t talk to anyone, might down a few more beers than he should. He’d think about her constantly. He’d miss her. Eventually, he’d pick himself up and do his job—but only for her. Because Nat would want him to. He’d still laugh, he’d still tease…but every laugh would remind him of those rare smiles on her face, the way her eyebrows would raise in surprise when his wit trumped hers.

In this way, Clint is like the typical “girl.” The one who is most affected, most hurt by the “break-up.” And that is so untypical of most couples in media that I find it extremely interesting.

Plus…I love the idea of Nat finally letting herself slip a little. Finally letting herself indulge in another, trust another, love something other than the skin and muscle that keeps her moving. 

I just really love them a lot.

annicaspoon asked: “ You're doing headcanons? Oh bro, gimme ALL your headcanon! (okay - maybe just Robin/Artemis for now - I'm going through a terrible phase, can you tell?) ”

Okay, I’m finally going to do this. I think I’m ready. XD

  • Dick has this recurring dream, where Wally dies in a giant flood. It’s ridiculous and totally unlikely, but Dick’s seen some pretty ridiculous and totally unlikely things in his life. It’s a horrific nightmare, but there’s always one little aspect he enjoys. When Wally dies, Artemis becomes a shell. The others can’t reach her. Dick can. He opens her up, peels back the layers, and stays with her. He stays with her every single night for seven years, reading old Vietnamese stories that he can hardly pronounce, because his word blunders remind her of Wally. He makes her food, because of course the Batcave is stocked to the brim with deliciousness, and she learns to enjoy the darkness and the quiet of the Manor. They sleep in the same bed, because she had nightmares so frequently that getting up and running down the hall just became tiresome. Eventually, he kisses her. It’s hard not to, when he sees her lying beside him every night. After a long time, she asks him why they haven’t just gotten married yet. They’re living together. They’re eating together. They share beds. They tell each other work stories when they get home at night. He’s the only one left. The only left who can love her the right way.

    They get married quietly, in the night, which Dick hates but Artemis loves, and he’s to the point where he’ll do anything if it makes her smile.
  • Artemis is one of the last people to know Nightwing’s true identity. He’s liked the barrier between him and her when he’s just the guy in the black and blue. “Dick” seemed so personal. It meant years of schooling, and that little creep who took the picture. It was almost embarassing, like a look into the soul. But when he finally told her, the way her face lit up was enough to seal the deal. Dick Grayson he was.
  • At Wally and Artemis’ wedding, Artemis saves a special dance for Dick. The song is something old and obscure, one of those odd numbers that starts slow and builds as it goes along. They waltz at first, and she thanks him for everything, for the lovely flowers and the wedding location and the way he’s always looked after her, the way he trusted her when no one else did. He thanks her for never getting annoyed with him, a 13-year-old kid with Daddy issues and something of an identity complex. He looks at her and thinks for the 546th time how lovely she is, how lucky Wally is. The waltz builds and becomes something of a clumsy tango, and they just end up laughing and twirling while the partygoers sip their cocktails and talk their small talk.
  • Dick is glad he doesn’t have siblings. If Artemis was anything more like his flesh and blood, they would have some serious issues.
  • Wally hates roller coasters. Dick and Artemis LOVE them. Every time they head to Six Flags, they shove the purses and the cotten candy at Wally’s face and jump onto the back coaster. Dick always lifts his hands in the air when the train makes its descent, while Artemis clutches onto the handlebar and wails something hysterical and totally unladylike. Dick loves it everytime.
  • Dick once considered tutoring Artemis at Gotham Academy. She was missing some key concepts in Algebra, and it seemed a prime opportunity to get to know the “stranger.” But when Bruce caught Dick studying some old Algebra books, he smelled something a little fishy. Dick was way beyond Algebra. It didn’t take much for him to figure out what was really going on, and he stopped it before it could happen. But Dick still attended her club meetings when he could.
  • Artemis reminds Dick of his mother. He doesn’t know how exactly, but it’s something that makes him smile and makes him ache. Maybe it’s the eyes, or the way she always knows exactly what she’s doing. Maybe it’s the way she strings an arrow, just like Mary would carefully analyze a trapeze and its wire before she made the jump. Maybe it’s just that she’s a girl, a girl that he loves. It doesn’t matter. It makes him happy.

Well, I think that’s satisfactory for now, don’t ya think? ;)

Gahh, I never know how to feel about these two.

Anonymous asked: “ do YOU think that dick's in love with artemis secretely?? please tell me there's someone who doesn't!!!! ”

Ha! I figured someone was bound to ask me this eventually. I’ve been trying to stay out of the whole thing, really, because I don’t have a defined side. This is my honest opinion:

Dick is not in love with Artemis. But he does LOVE her. There is something between the two of them that none of the other members share. They were the only two without powers—they understood that cold-blooded rush, that intense threat of death, the lactic acid that came faster than with any of the Metas. They understood true danger.

They also both came from rough backgrounds, which is something Wally and Artemis do not share. And I think that’s a key aspect of their relationship. In some ways, they’ve been through the same thing—lost their family when they were young, but then was raised by one “parent,” literally or figuratively. Plus they both have that sass, that spark, and that compliments one another.

I think it’s very likely that Dick may have felt something for her along the years. I think he may even have pursued it here and there. He might have fallen for her a bit, might have thought of her when he woke in the mornings, may have wanted to try and kiss her. But I don’t think he ever fell in too deep with it. He never got in over his head. He took a look at her one day, said “sister,” and moved on with his life. Dick’s the kind of man who could do that.

If only because he knew she would never leave Wally.